Posted in Celeste Ng

Little Fires Everywhere by Celeste Ng

SYNOPSIS:

From the bestselling author of Everything I Never Told You, a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their lives.

In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned–from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.

Enter Mia Warren–an enigmatic artist and single mother–who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past and a disregard for the status quo that threatens to upend this carefully ordered community.

When old family friends of the Richardsons attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town–and puts Mia and Elena on opposing sides. Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia’s past. But her obsession will come at unexpected and devastating costs.

Little Fires Everywhere explores the weight of secrets, the nature of art and identity, and the ferocious pull of motherhood–and the danger of believing that following the rules can avert disaster.

REVIEW:

I was not intending to read this book, but after watching the TV series, what eventually convinced me otherwise was the fact that… it seemed like my sympathies laid on the wrong side. Between the readers, there will always be Team A or Team B (remember Twilight?) but usually this happens when both options are reasonable and do not fall under the “villain” category. After watching the TV series, completely empathizing with Elena Richardson and almost hating Mia Warren, I discovered with shock that most of the people had a complete opposite opinion. Like.. Elena was the bad one?! Did we really watch the same thing?
So I started the book just to see if it will leave me with the same perspective or offer some additional details that might explain why most of the people had a different point of view.

Although you might expect the opposite when it comes to a book versus its adaptation, I felt like this time, the screenplay offered somehow an ampler spectrum of the main characters’ colors. In the book, Elena’s actions are clearly throwing her in the villain’s role, without giving too much depth to her reasons. By comparison, Mia’s lack of color makes you sympathetic to her cause without the justification of any actions, but simply because of the role she’s playing: the single, poor, but dignified mother that’s just trying to raise her daughter in the best way and… doesn’t really do much else.

In the TV series, my perception was different. Mia is selfish, sacrificing her daughter’s happiness and stability on the altar of her own career dreams. She stabs Elena in the back, she sets off a custody battle because of her own past trauma and without actually thinking about the well-being of the baby, she subtly manipulates and uses people around her. Yes, some of Elena’s actions are questionable as well, but only after she’s been provoked by Mia and usually have a “the end justifies the means” vibe. But overall, Elena just fights in a fairer way, with more direct hits. And even though her portrait might be simpler than Mia’s, who is this hipster-ish, gipsy-at-heart, mysterious and misunderstood artist, I stand by Elena’s cause. Although she sacrificed her own dreams for the sake of the family, I did love the fact that she had a strong attitude and turned the situation in the best way, without victimizing herself, despite having some regrets at an unconscious level. Meanwhile, Mia sacrifices everyone around her (her parents, the Ryan couple, Bebe Chow, the disputed baby, her own daugheter) for the sake of her own dreams and beliefs, without any doubts or remorse.

I also loved the portrayal of the other characters more in the TV series than in the book. All of the side characters and all of the kids’ experiences (both Pearl’s and the Richardsons’) are more lively and intense, you get to know them deeper and overall, the TV series just does it better. I feel like the book is covered by a veil that makes everything and everyone faded and blury, while the screenplay removed that veil and allowed the action to shine bright and colorful.

Posted in Jackie Morrissey

Before I Die by Jackie Morrissey

SYNOPSIS:

There’s something wrong with Dolores…

In the past, she has done some very, very bad things.

Now she’s reinvented herself as a caregiver in an affluent Dublin suburb. She thought she’d hate it, but actually, she quite enjoys wielding power over the weak and vulnerable.

She gets a perverse thrill from controlling them – their food, their medication, their exercise…. It gives her pleasure to strip them of their dignity and self-confidence, little by little. Then, when they are completely dependent, totally convinced they can’t do without her, that’s when the fun really starts.

REVIEW:

What a delightful read this was! Before I Die offers such a fresh and original perspective, bringing a very unexpected character as a protagonist. Most of the times, when an old person is the main character of a book, the action takes place somewhere in the past, developing mostly from the memories, when that character was young, strong and adventurous. That’s not the case in Before I Die, where Maureen is an old teacher with zero special detective abilities, with no special training to deal with crazy or wicked people and with nothing more than an ordinary life for a person of her age.

Moreover, her age starts becoming a disadvantage since people around her are beginning to doubt her mental capacity. So much actually, that at some point, Maureen herself begins to wonder if her intuition is correct or if she’s imagining everything. So when Maureen gets tangled in the spiderweb of what seems to be an absolute evil caretaker, she’s clearly completely unprepared for such a fight. And her one and only ally? A homeless drug addict…

The mystery/crime fiction has brought before older characters that play the role of the detective. Mostly amateurs with some kind of experience or retired police officers or private investigators. But it’s the first time when I’m encountering such an innocent and “unqualified” protagonist for such a story. And the author does an amazing job on illustrating how difficult it is for an absolutely common person to be put in a situation where she has to deal with a diabolical villain. 

I’m also in an awe regarding Maureen’s new friend, Michael. A typical drug addict: zero self control, questionable morality, falling for every impulsive need, totally unreliable. There’s little to nothing to like about him. But somehow, his devotion for the old, kind Maureen, mixed with his own survival instinct is enough to start pushing him to the right path and to make the reader grow more and more sympathy towards him. The blooming friendship between such opposite personalities is contoured in realistic shades, with ups and downs, with doubts, fears and disappointments, but ends up being one of the sweetest aspects of the book. 

The action is well balanced, with enough suspense to keep you hooked but without being rushed. Perhaps not completely surprising, but definitely well enough written and entertaining.

I enjoyed each page, each turn of the action and can’t wait to try some other books of Jackie Morrissey.