Posted in Frances Cha

If I Had Your Face by Frances Cha

SYNOPSIS:

A debut novel set in contemporary Seoul, Korea, about four young women making their way in a world defined by impossibly high standards of beauty, secret room salons catering to wealthy men, strict social hierarchies, and K-pop fan mania. “Even as a girl, I knew the only chance I had was to change my face… even before a fortune-teller told me so.” Kyuri is a beautiful woman with a hard-won job at a “room salon,” an exclusive bar where she entertains businessmen while they drink. Though she prides herself on her cold, clear-eyed approach to life, an impulsive mistake with a client may come to threaten her livelihood.

Her roomate, Miho, is a talented artist who grew up in an orphanage but won a scholarship to study art in New York. Returning to Korea after college, she finds herself in a precarious relationship with the super-wealthy heir to one of Korea’s biggest companies.

Down the hall in their apartment building lives Ara, a hair stylist for whom two preoccupations sustain her: obsession with a boy-band pop star, and a best friend who is saving up for the extreme plastic surgery that is commonplace.

And Wonna, one floor below, is a newlywed trying to get pregnant with a child that she and her husband have no idea how they can afford to raise and educate in the cutthroat economy.

Together, their stories tell a tale that’s seemingly unfamiliar, yet unmistakably universal in the way that their tentative friendships may have to be their saving grace.

REVIEW:

If I Had Your Face promises to allow you to dive in some of the most notorious trends that are “leaking” lately from the contemporary Korean culture into the international media: the plastic surgeries turned into a norm, the K-pop mania, the obsession with impossible beauty standards, the pressure of social hierarchies, the lack of balance between work and family life. Frances Cha manages to deliver an insight into these strict standards, showing how five young women struggle to live within all the restrictions imposed by the modern Korean society.

I was honestly expecting something a bit deeper, an explanation on how people are “digesting” all this pressure, an active reaction from the characters forced to submit to such unattainable ideals. Instead, all of the five women just… go with the flow, conforming to the cultural norms, without questioning or opposing them. I know it somehow makes sense, because… how unbearable life would be if you wouldn’t internalize the rules of the society around you? If the collective mentality wouldn’t become embedded into your core like it would be your own? But I still cannot help feeling unsatisfied by the fact that what we see is just acceptance and nothing of the process that’s shaping the personalities of the characters.

Despite this, I didn’t dislike the book. It’s mildly entertaining, like a little innocent gossip that you hear on the brunch with your girlfriends. Not bringing any depth or substance, but offering enough amusement. The book lacks on tension, even if there is a visible attempt to create some suspense here and there. But Frances Cha still manages to keep you reading without frustration. Honestly, if the author decided to write extra 500 pages about the same day-to-day casual experiences of her characters, I probably wouldn’t have minded or became bored of it.

The only problem I had with the book is that the characters’ voices are so similar. Even if every chapter has the name of each woman, I still struggled to recognize who’s story I’m reading. And this issue lasted until the very end of the novel, it was not something that faded by becoming more familiar with the particularities of each individual.

Posted in John A. Heldt

Indiana Belle (American Journey #3) by John A. Heldt

SYNOPSIS:

Providence, Rhode Island, 2017. When doctoral student Cameron Coelho, 28, opens a package from Indiana, he finds more than private papers that will help him with his dissertation. He finds a photograph of a beautiful society editor murdered in 1925 and clues to a century-old mystery. Within days, he meets Geoffrey Bell, the “time-travel professor,” and begins an unlikely journey through the Roaring Twenties.

Filled with history, romance, and intrigue, INDIANA BELLE follows a lonely soul on the adventure of a lifetime as he searches for love and answers in the age of Prohibition, flappers, and jazz.

REVIEW:

If I wouldn’t have seen the long list of this author’s books, I would have honestly thought that Indiana Belle is his debut novel. Not because of the storyline, but because of the writing style. The story is nice and cohesive, most of the characters’ portraits are sturdy enough to be credible, but the writing technique has something so… naive that it gives you the impression that the author just started his writing experience and that he’s trying to follow all the rules taught in school.

The main downside is that even for a time-traveling story, there are some aspects that just seemed either forced or not enough developed, so be prepared to swallow your frustration about this and just move on with the story. Despite this, I enjoyed the book: it has this nice, relaxed vibe, sweet and light like a lazy summer day, without any drama, stress or conflict. The world building is absolutely wonderful. The author throws you straight into the 1920s and colors the life there in bright, clear colors. I felt like the side characters were contributing even more to this, giving you a glimpse into the people’s mentality back then.

What drove me crazy was just the way the characters were oftentimes addressed. I understand the wish of avoiding repetition when referring to the same characters again and again, but expressions like “the rhode islander”, “the time traveler”, “the society editor” somehow put distance between the reader and the protagonists and after a while become annoying.

I didn’t connect in any way with Cameron, the book’s hero but I blame it more on the fact that I deeply hate the insta-love. And in his case, the concept is even more absurd: he falls in love with… a photo 😑 At least Candice has a more natural reaction and overall, her personality is more bubbly and charming. And as I mentioned before, even if their appearances are kind of episodic, I found almost all the secondary characters extremely well portrayed and their actions are a great addition to the whole 1920s picture.

Although the storyline flows pretty much without a major or breathtaking conflict, here and there, there will be some chapters that are breaking the rhythm and make the whole plot more entertaining. I personally loved the chapter from the far future and to be honest, I would have loved to see the story continuing in that era. It was an awesome and totally unexpected turn and it offered some extra flavor to the whole novel.

Indiana Belle is the third book in the American Journey series, but each novel can be read independently. I haven’t read the first two novels yet but I didn’t feel there were any missing points or that I skipped any connections with the previous two books.

Posted in Trish Harnetiaux

The Secret Santa by Trish Harnetiaux

SYNOPSIS:

You’re invited to a lavish Christmas party in an isolated mansion.
And your hosts will do anything to keep you from finding out their secrets…

When husband and wife Henry and Claudine organise their company’s Christmas party in a remote mansion, they expect it to be a night to remember. But the festive mood quickly turns sour when a sinister gift is unwrapped in the Secret Santa gift exchange. As heavy snow traps the guests inside the mountainside lodge, it quickly becomes clear that one of the party is out for revenge.

It’s no longer just about enduring the evening. It’s about making sure you get out alive.

A lavish locked-room mystery with a seasonal edge, THE SECRET SANTA is packed with twists that will keep you guessing until the very last page.

REVIEW:

This book felt very much like a shot of alcohol: super fast and surprisingly intense, you’re finishing it before you even know it and it gives you no time to get bored or lose your interest.

Yes, the story doesn’t go super deep and it might feel more like a short story or novella instead of a full length novel despite the decent number of pages. However, it definitely doesn’t feel rushed or incomplete. Perhaps it’s not offering a lot when it comes to people’ motivations or complex descriptions, but it brings a clear view of the actions happening and colorful enough portraits of the main characters. And by colorful I believe it is the best way to describe the individuals that we’re encountering in The Secret Santa. Nobody could argue that their personalities are the most genuine, but in the same time, they’re not annoyingly unbelievable also. It feels like the author took some very normal features and just exaggerated them enough to make a statement, but not to the point where the characters turn to caricatures. I encountered this technique before with other authors and always loved it. It’s like the characters themselves become the definition of certain traits: ambition, platitude, stubbornness, revenge, etc. But in the same time, they are portrayed with enough colors to give them full personalities. Frankly, you’ll never meet in real life such unidirectional personalities but for sure you won’t mind loving them or hating them when you’re reading about them.

As long as you don’t start the book expecting a deep dive, but instead, a light and catchy story, I’m sure you’ll be enjoying it a lot and find very little things to judge or to dislike.

Posted in Stephen Graham Jones, Uncategorized

The Only Good Indians by Stephen Graham Jones

SYNOPSIS:

The creeping horror of Paul Tremblay meets Tommy Orange’s There There in a dark novel of revenge, cultural identity, and the cost of breaking from tradition in this latest novel from the Jordan Peele of horror literature, Stephen Graham Jones.

Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.

REVIEW:

I have no idea how exactly to explain my initial reaction to this book. I’ve read countless books in English, which is not my mother tongue, I live in an English speaking country and use the language every day, but once I started The Only Good Indians I felt like I don’t understand a word, like I’m reading in Chinese. After a few pages, I even passed the book to my SO to make sure that my brain didn’t suddenly lose its ability to read or to understand a sentence. And no, it clearly wasn’t me, it was the writing. I still have no idea what exactly happened there, what the issue was. Each word had a meaning, but somehow, put together, they just didn’t have any sense. Somehow, after a few chapters, things sort of went back to normal and the phrasing was smoother. Despite that, the book still didn’t catch me and I just wanted to finish it faster and be done with it.

The storyline is definitely original and not one of the tipical horror plots, but that’s pretty much the only good thing I can say about it. I’ve seen so many excited reactions about this novel, I saw it in so many 2020 tops. It’s not even the fact that my expectations weren’t met. I wasn’t just disappointed, I simply disliked everything about it. The characters weren’t interesting, I couldn’t sympathize with any of them, their actions seemed illogical half of the time, the storyline wasn’t catchy, the plot didn’t make my pulse jump or give me the feeling that I’m reading a horror. In addition, I feel like the author tried so much to signal that this is a story about native indians that it became repetitive and annoying.

Considering that so many readers gave positive reviews and I’m in minority here, I’m just going to assume this was not a story for me, but it can definitely be for somebody else. So in case you’re feeling tempted to give it a try, don’t let my opinion discourage you from reading it.

Posted in Celeste Ng

Little Fires Everywhere by Celeste Ng

SYNOPSIS:

From the bestselling author of Everything I Never Told You, a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their lives.

In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned–from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.

Enter Mia Warren–an enigmatic artist and single mother–who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past and a disregard for the status quo that threatens to upend this carefully ordered community.

When old family friends of the Richardsons attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town–and puts Mia and Elena on opposing sides. Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia’s past. But her obsession will come at unexpected and devastating costs.

Little Fires Everywhere explores the weight of secrets, the nature of art and identity, and the ferocious pull of motherhood–and the danger of believing that following the rules can avert disaster.

REVIEW:

I was not intending to read this book, but after watching the TV series, what eventually convinced me otherwise was the fact that… it seemed like my sympathies laid on the wrong side. Between the readers, there will always be Team A or Team B (remember Twilight?) but usually this happens when both options are reasonable and do not fall under the “villain” category. After watching the TV series, completely empathizing with Elena Richardson and almost hating Mia Warren, I discovered with shock that most of the people had a complete opposite opinion. Like.. Elena was the bad one?! Did we really watch the same thing?
So I started the book just to see if it will leave me with the same perspective or offer some additional details that might explain why most of the people had a different point of view.

Although you might expect the opposite when it comes to a book versus its adaptation, I felt like this time, the screenplay offered somehow an ampler spectrum of the main characters’ colors. In the book, Elena’s actions are clearly throwing her in the villain’s role, without giving too much depth to her reasons. By comparison, Mia’s lack of color makes you sympathetic to her cause without the justification of any actions, but simply because of the role she’s playing: the single, poor, but dignified mother that’s just trying to raise her daughter in the best way and… doesn’t really do much else.

In the TV series, my perception was different. Mia is selfish, sacrificing her daughter’s happiness and stability on the altar of her own career dreams. She stabs Elena in the back, she sets off a custody battle because of her own past trauma and without actually thinking about the well-being of the baby, she subtly manipulates and uses people around her. Yes, some of Elena’s actions are questionable as well, but only after she’s been provoked by Mia and usually have a “the end justifies the means” vibe. But overall, Elena just fights in a fairer way, with more direct hits. And even though her portrait might be simpler than Mia’s, who is this hipster-ish, gipsy-at-heart, mysterious and misunderstood artist, I stand by Elena’s cause. Although she sacrificed her own dreams for the sake of the family, I did love the fact that she had a strong attitude and turned the situation in the best way, without victimizing herself, despite having some regrets at an unconscious level. Meanwhile, Mia sacrifices everyone around her (her parents, the Ryan couple, Bebe Chow, the disputed baby, her own daugheter) for the sake of her own dreams and beliefs, without any doubts or remorse.

I also loved the portrayal of the other characters more in the TV series than in the book. All of the side characters and all of the kids’ experiences (both Pearl’s and the Richardsons’) are more lively and intense, you get to know them deeper and overall, the TV series just does it better. I feel like the book is covered by a veil that makes everything and everyone faded and blury, while the screenplay removed that veil and allowed the action to shine bright and colorful.